Margaret Mitchell

Margaret Munnerlyn Mitchell (November 8, 1900 – August 16, 1949) was an American novelist and journalist. Mitchell wrote only one novel that was published during her lifetime, the American Civil War-era novel Gone with the Wind, for which she won the National Book Award for Fiction for Most Distinguished Novel of 1936 and the Pulitzer Prize for Fiction in 1937. Long after her death, a collection of Mitchell's girlhood writings and a novella she wrote as a teenager, titled Lost Laysen, were published. A collection of newspaper articles written by Mitchell for The Atlanta Journal was republished in book form.

Margaret Mitchell was a lifelong resident of Georgia. She was born in 1900 into a wealthy and politically prominent family. Her father, Eugene Muse Mitchell, was an attorney, and her mother, Mary Isabel "Maybelle" Stephens, was a suffragist and Catholic activist. She had two brothers, Russell Stephens Mitchell, who died in infancy in 1894, and Alexander Stephens Mitchell, born in 1896.

Mitchell's family on her father's side were descendants of Thomas Mitchell, originally of Aberdeenshire, Scotland, who settled in Wilkes County, Georgia in 1777, and served in the American Revolutionary War. Thomas Mitchell was a surveyor by profession. He was on a surveying trip in Henry County, Georgia, at the home of John Lowe, about 6 miles from McDonough, Georgia, when he died in 1835 and is buried in that location. Thomas Mitchell's son, William Mitchell, born December 8, 1777, in Edgefield County, South Carolina, moved in 1834-1835 to a farm along the South River in the Flat Rock community in Georgia. William Mitchell died February 24, 1859, at the age of 81 and is buried in the family graveyard near Panola Mountain State Park. Margaret Mitchell's great-grandfather Issac Green Mitchell moved to a farm along the Flat Shoals Road located in the Flat Rock community in 1839. Four years later he sold this farm to Ira O. McDaniel and purchased a farm 3 miles farther down the road on the north side of the South River in DeKalb County, Georgia.

Mitchell spent her early childhood on Jackson Hill, east of downtown Atlanta. Her family lived near her maternal grandmother, Annie Stephens, in a Victorian house painted bright red with yellow trim. Mrs. Stephens had been a widow for several years prior to Margaret's birth; Captain John Stephens died in 1896. After his death, she inherited property on Jackson Street where Margaret's family lived.

Grandmother Annie Stephens was quite a character, both vulgar and a tyrant. After gaining control of her father Philip Fitzgerald's money after he died, she splurged on her younger daughters, including Margaret's mother, and sent them to finishing school in the north. There they learned that Irish Americans were not treated as equal to other immigrants. Margaret's relationship with her grandmother would become quarrelsome in later years as she entered adulthood. However, for Margaret, her grandmother was a great source of "eye-witness information" about the Civil War and Reconstruction in Atlanta prior to her death in 1934.

When Mitchell was about three years old, her dress caught fire on an iron grate. Although Mitchell was unharmed, the accident was traumatic for her mother. Fearing it would happen again, Mitchell's mother began dressing her in boys' pants, and she was nicknamed "Jimmy", the name of a character in the comic strip Little Jimmy. Her brother insisted she would have to be a boy named Jimmy to play with him. Having no sisters to play with, Mitchell said she was a boy named Jimmy until she was fourteen.

Stephens Mitchell said his sister was a tomboy who would happily play with dolls occasionally, and she liked to ride her Texas plains pony. As a little girl, Mitchell went riding every afternoon with a Confederate veteran and a young lady of "beau-age". She was raised in an era when children were "seen and not heard" and was not allowed to express her personality by running and screaming on Sunday afternoons while her family was visiting relatives.

Mitchell learned the gritty details of specific battles from these visits with aging Confederate soldiers. But she didn't learn that the South had actually lost the war until she was 10 years of age:

I heard everything in the world except that the Confederates lost the war. When I was ten years old, it was a violent shock to learn that General Lee had been defeated. I didn't believe it when I first heard it and I was indignant. I still find it hard to believe, so strong are childhood impressions.

Her mother would swat her with a hairbrush or a slipper as a form of discipline.

While "the South" exists as a geographical region of the United States, it is also said to exist as "a place of the imagination" of writers. An image of "the South" was fixed in Mitchell's imagination when at six years old her mother took her on a buggy tour through ruined plantations and "Sherman's sentinels", the brick and stone chimneys that remained after William Tecumseh Sherman's "March and torch" through Georgia. Mitchell would later recall what her mother had said to her:

She talked about the world those people had lived in such a secure world, and how it had exploded beneath them. And she told me that my world was going to explode under me, someday, and God help me if I didn't have some weapon to meet the new world.

From an imagination cultivated in her youth, Margaret Mitchell's defensive weapon would become her writing.

Mitchell said she heard Civil War stories from her relatives when she was growing up:

On Sunday afternoons when we went calling on the older generation of relatives, those who had been active in the Sixties, I sat on the bony knees of veterans and the fat slippery laps of great aunts and heard them talk.

An avid reader, young Margaret read "boys' stories" by G.A. Henty, the Tom Swift series, and the Rover Boys series by Edward Stratemeyer. Her mother read Mary Johnston's novels to her before she could read. They both wept reading Johnston's The Long Roll (1911) and Cease Firing (1912). Between the "scream of shells, the mighty onrush of charges, the grim and grisly aftermath of war", Cease Firing is a romance novel involving the courtship of a Confederate soldier and a Louisiana plantation belle with Civil War illustrations by N. C. Wyeth. She also read the plays of William Shakespeare, and novels by Charles Dickens and Sir Walter Scott. Mitchell's two favorite children's books were by author Edith Nesbit: Five Children and It (1902) and The Phoenix and the Carpet (1904). She kept both on her bookshelf even as an adult and gave them as gifts.

An imaginative and precocious writer, Margaret Mitchell began with stories about animals, then progressed to fairy tales and adventure stories. She fashioned book covers for her stories, bound the tablet paper pages together and added her own artwork. At age eleven she gave a name to her publishing enterprise: "Urchin Publishing Co." Later her stories were written in notebooks. May Belle Mitchell kept her daughter's stories in white enamel bread boxes and several boxes of her stories were stored in the house by the time Margaret went off to college.

"Margaret" is a character riding a galloping pony in The Little Pioneers, and plays "Cowboys and Indians" in When We Were Shipwrecked.

Romantic love and honor emerged as themes of abiding interest for Mitchell in The Knight and the Lady (ca. 1909), in which a "good knight" and a "bad knight" duel for the hand of the lady. In The Arrow Brave and the Deer Maiden (ca. 1913), a half-white Indian brave, Jack, must withstand the pain inflicted upon him to uphold his honor and win the girl. The same themes were treated with increasing artistry in Lost Laysen, the novella Mitchell wrote as a teenager in 1916, and, with much greater sophistication, in Mitchell's last known novel, Gone with the Wind, which she began in 1926.

In her pre-teens, Mitchell also wrote stories set in foreign locations, such as The Greaser (1913), a cowboy story set in Mexico. In 1913 she wrote two stories with Civil War settings; one includes her notation that "237 pages are in this book".

While the Great War carried on in Europe (1914–1918), Margaret Mitchell attended Atlanta's Washington Seminary (now The Westminster Schools), a "fashionable" private girls' school with an enrollment of over 300 students. She was very active in the Drama Club. Mitchell played the male characters: Nick Bottom in Shakespeare's A Midsummer Night's Dream and Launcelot Gobbo in Shakespeare's The Merchant of Venice, among others. She wrote a play about snobbish college girls that she acted in as well. She also joined the Literary Club and had two stories published in the yearbook: Little Sister and Sergeant Terry. Ten-year-old "Peggy" is the heroine in Little Sister. She hears her older sister being raped and shoots the rapist:

Coldly, dispassionately she viewed him, the chill steel of the gun giving her confidence. She must not miss now—she would not miss—and she did not.

Mitchell received encouragement from her English teacher, Mrs. Paisley, who recognized her writing talent. A demanding teacher, Paisley told her she had ability if she worked hard and would not be careless in constructing sentences. A sentence, she said, must be "complete, concise and coherent".

Mitchell read the books of Thomas Dixon, Jr., and in 1916, when the silent film, The Birth of a Nation, was showing in Atlanta, she dramatized Dixon's The Traitor: A Story of the Fall of the Invisible Empire (1907). As both playwright and actress, she took the role of Steve Hoyle. For the production, she made a Ku Klux Klan costume from a white crepe dress and wore a boy's wig. (Note: Dixon rewrote The Traitor as The Black Hood (1924) and Steve Hoyle was renamed George Wilkes.)

During her years at Washington Seminary, Mitchell's brother, Stephens, was away studying at Harvard University (1915–1917), and he left in May 1917 to enlist in the army, about a month after the U.S. declared war on Germany. He set sail for France in April 1918, participated in engagements in the Lagny and Marbache sectors, then returned to Georgia in October as a training instructor. While Margaret and her mother were in New York in September 1918 preparing for Margaret to attend college, Stephens wired his father that he was safe after his ship had been torpedoed en route to New York from France.

Upon graduating from Washington Seminary in June 1918, Mitchell fell in love with a Harvard graduate, a young army lieutenant, Clifford West Henry, who was chief bayonet instructor at Camp Gordon from May 10 until the time he set sail for France on July 17. Henry was "slightly effeminate", "ineffectual", and "rather effete-looking" with "homosexual tendencies", according to biographer Anne Edwards. Before departing for France, he gave Mitchell an engagement ring.

On September 14, while she was enrolled at Smith College, Henry was mortally wounded in action in France and died on October 17. As Henry waited in the Verdun trenches, shortly before being wounded, he composed a poem on a leaf torn from his field notebook, found later among his effects. The last stanza of Lieutenant Clifford W. Henry's poem follows:

Henry repeatedly advanced in front of the platoon he commanded, drawing machine-gun fire so that the German nests could be located and wiped out by his men. Although wounded in the leg in this effort, his death was the result of shrapnel wounds from an air bomb dropped by a German plane. He was awarded the French Croix de guerre avec palme for his acts of heroism. From the President of the United States, the Commander in Chief of the United States Armed Forces, he was presented with the Distinguished Service Cross and an Oak Leaf Cluster in lieu of a second Distinguished Service Cross.

Clifford Henry was the great love of Margaret Mitchell's life, according to her brother. In a letter to a friend (A. Edee, March 26, 1920), Mitchell wrote of Clifford that she had a "memory of a love that had in it no trace of physical passion".

Mitchell had vague aspirations of a career in psychiatry, but her future was derailed by an event that killed over fifty million people worldwide, the 1918 flu pandemic. On January 25, 1919, her mother, May Belle Mitchell, succumbed to pneumonia from the "Spanish flu". Mitchell arrived home from college a day after her mother had died. Knowing her death was imminent, May Belle Mitchell wrote her daughter a brief letter and advised her:

Margaret began using the name "Peggy" at Washington Seminary, and the abbreviated form "Peg" at Smith College, when she found an icon for herself in the mythological winged horse, "Pegasus", that inspires poets. Peggy made her Atlanta society debut in the 1920 winter season. In the "gin and jazz style" of the times, she did her "flapping" in the 1920s. At a 1921 Atlanta debutante charity ball, she performed an Apache dance. The dance included a kiss with her male partner that shocked Atlanta high society and led to her being blacklisted from the Junior League. The Apache and the Tango were scandalous dances for their elements of eroticism, the latter popularized in a 1921 silent film, The Four Horsemen of the Apocalypse, that made its lead actor, Rudolph Valentino, a sex symbol for his ability to Tango.

Mitchell was, in her own words, an "unscrupulous flirt". She found herself engaged to five men, but maintained that she neither lied to nor misled any of them. A local gossip columnist, who wrote under the name Polly Peachtree, described Mitchell's love life in a 1922 column:

While still legally married to Upshaw and needing income for herself, Mitchell got a job writing feature articles for The Atlanta Journal Sunday Magazine. She received almost no encouragement from her family or "society" to pursue a career in journalism, and had no prior newspaper experience. Medora Field Perkerson, who hired Mitchell said:

There had been some skepticism on the Atlanta Journal Magazine staff when Peggy came to work as a reporter. Debutantes slept late in those days and didn't go in for jobs.

Her first story, Atlanta Girl Sees Italian Revolution, by Margaret Mitchell Upshaw, appeared on December 31, 1922. She wrote on a wide range of topics, from fashions to Confederate generals and King Tut. In an article that appeared on July 1, 1923, Valentino Declares He Isn't a Sheik, she interviewed celebrity actor Rudolph Valentino, referring to him as "Sheik" from his film role. Less thrilled by his looks than his "chief charm", his "low, husky voice with a soft, sibilant accent", she described his face as "swarthy":

His face was swarthy, so brown that his white teeth flashed in startling contrast to his skin; his eyes—tired, bored, but courteous.

Mitchell was quite thrilled when Valentino took her in his arms and carried her inside from the rooftop of the Georgian Terrace Hotel.

Mitchell began collecting erotica from book shops in New York City while in her twenties. The newlywed Marshes and their social group were interested in "all forms of sexual expression". Mitchell discussed her interest in dirty book shops and sexually explicit prose in letters to a friend, Harvey Smith. Smith noted her favorite reads were Fanny Hill, The Perfumed Garden, and Aphrodite.

Mitchell developed an appreciation for the works of Southern writer James Branch Cabell, and his 1919 classic, Jurgen, A Comedy of Justice. She read books about sexology and took particular interest in the case studies of Havelock Ellis, a British physician who studied human sexuality. During this period in which Mitchell was reading pornography and sexology, she was also writing Gone with the Wind.