Pablo de Sarasate

Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908) was a Spanish virtuoso violinist, composer, and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.

Sarasate was born in Pamplona, Navarre, in 1844, the son of Don Miguel Sarasate, a local artillery bandmaster. Apparently, after seeing his father struggle with a passage for a long time, he picked up the violin and played it perfectly. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in La Coruña at the age of eight.

His performance was well-received, and caught the attention of a wealthy patron who provided the funding for Sarasate to study under Manuel Rodríguez Saez in Madrid, where he gained the favor of Queen Isabella II. Later, as his abilities developed, his parents decided to send him to study under Jean-Delphin Alard at the Paris Conservatoire at the age of twelve. Aboard the train en route to Paris, his mother (who had been accompanying him) died of a heart attack at the Spanish-French border, and Sarasate was found to be suffering from cholera. The Spanish Consul in Bayonne took Sarasate to his home and nursed him back to health, then financed his trip to Paris.

There, Sarasate auditioned successfully for Alard, who arranged for him to live with his colleague Théodore de Lassabathie, administrator of the Conservatoire. At seventeen, Sarasate entered a competition for the Premier Prix and won his first prize, the Conservatoire's highest honor. (No other Spanish violinist achieved this until Manuel Quiroga did so in 1911; Quiroga was frequently compared to Sarasate throughout his career).

Sarasate, who had been publicly performing since childhood, made his Paris debut as a concert violinist in 1860, and played in London the following year. Over the course of his career, he toured many parts of the world, performing in Europe, North America, and South America. His artistic pre-eminence was due principally to the purity of his tone, which was free from any tendency towards the sentimental or rhapsodic, and to that impressive facility of execution that made him a virtuoso. In his early career, Sarasate performed mainly opera fantasies, most notably the Carmen Fantasy, and various other pieces that he had composed. The popularity of Sarasate's Spanish flavour in his compositions is reflected in the work of his contemporaries. For example, the influences of Spanish music can be heard in such notable works as Édouard Lalo's Symphonie espagnole which was dedicated to Sarasate; Georges Bizet's Carmen; and Camille Saint-Saëns' Introduction and Rondo Capriccioso, written expressly for Sarasate and dedicated to him.

Of Sarasate's idiomatic writing for his instrument, the playwright and music critic George Bernard Shaw once declared that though there were many composers of music for the violin, there were but few composers of violin music. Of Sarasate's talents as performer and composer, Shaw said that he "left criticism gasping miles behind him". Sarasate's own compositions are mainly show-pieces designed to demonstrate his exemplary technique. Perhaps the best known of his works is Zigeunerweisen (1878), a work for violin and orchestra. Another piece, the Carmen Fantasy (1883), also for violin and orchestra, makes use of themes from Georges Bizet's opera Carmen. Probably his most performed encores are his four books of Spanish Dances, Opp. 21, 22, 23, 26, brief pieces designed to please the listener's ear and show off the performer's talent. He also made arrangements of a number of other composers' work for violin, and composed sets of variations on "potpourris" drawn from operas familiar to his audiences, such as his Fantasia on La forza del destino (his Opus 1), his "Souvenirs de Faust", or his variations on themes from Die Zauberflöte.

James Whistler's Arrangement in Black: Pablo de Sarasate (1884) is a portrait of Pablo Sarasate.

In Arthur Conan Doyle's short story The Red-Headed League (1891), Sherlock Holmes and Dr. John H. Watson attend a concert by Sarasate. Violinist Bruce Dukov portrays Sarasate in the 1984 Granada Television adaptation of the story.

Sarasate is a major figure in Murder to Music, a Sherlock Holmes pastiche by Anthony Burgess. Holmes is also mentioned as attending a Sarasate concert in The Treasure Train by Frankie Thomas.

In Edith Wharton's 1920 novel The Age of Innocence, set in 1870s New York, the main protagonist is invited to a private recital to be given by Sarasate.

Zigeunerweisen is the title of Seijun Suzuki's 1980 movie, the first of the so-called Taisho Trilogy. A recording of the air of the same title by Sarasate, and his that can be heard on the recording, are one of the themes of the movie.

Sarasate composed more than fifty works, all of which include the violin. He assigned opus numbers to 54 of them.