Walt Disney

Walter Elias Disney ( DIZ-nee; December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards won (22) and nominations (59) by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute.

Born in Chicago in 1901 and raised largely in Missouri, Disney developed an early interest in drawing. He took art classes as a boy and took a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now the Walt Disney Company) with his brother Roy. With Ub Iwerks, he developed the character Mickey Mouse in 1928, his first highly popular success; he also provided the voice for his creation in the early years. As the studio grew, he became more adventurous, introducing synchronized sound, full-color three-strip Technicolor, animated feature films and technical developments in cameras. The results, seen in features such as Snow White and the Seven Dwarfs (1937), Pinocchio, Fantasia (both 1940), Dumbo (1941), and Bambi (1942), furthered the development of animated film. New animated and live-action films followed after World War II, including Cinderella (1950), Sleeping Beauty (1959), and Mary Poppins (1964), the last of which received five Academy Awards.

In the 1950s, Disney expanded into the theme park industry, and in July 1955 he opened Disneyland in Anaheim, California. To fund the project he diversified into television programs, such as Walt Disney's Disneyland and The Mickey Mouse Club. He was also involved in planning the 1959 Moscow Fair, the 1960 Winter Olympics, and the 1964 New York World's Fair. In 1965, he began development of another theme park, Disney World, the heart of which was to be a new type of city, the "Experimental Prototype Community of Tomorrow" (EPCOT). Disney was a heavy smoker throughout his life and died of lung cancer in 1966 before either the park or the EPCOT project were completed.

Disney was a shy, self-deprecating and insecure man in private but adopted a warm and outgoing public persona. He had high standards and high expectations of those with whom he worked. Although there have been accusations that he was racist or antisemitic, they have been contradicted by many who knew him. The historiography of Disney has taken a variety of perspectives, ranging from views of him as a purveyor of homely patriotic values to being a representative of American cultural imperialism. Widely considered to be one of the most influential cultural figures of the 20th century, Disney remains an important presence in the history of animation and in the cultural history of the United States, where he is acknowledged as a national cultural icon. His film work continues to be shown and adapted, the Disney theme parks have grown in size and number around the world and his company has grown to become one of the world's largest mass media and entertainment conglomerates.

Walter Elias Disney was born on December 5, 1901, at 1249 N Tripp Avenue in the Hermosa neighborhood of Chicago, Illinois, United States. He was the fourth son of Elias Disney, who was born in the Province of Canada to Anglo-Irish parents, and Flora (née Call), an American of German and English descent. Aside from Walt, the sons of Elias and Flora were Herbert, Raymond and Roy; and the couple had a fifth child, Ruth, in December 1903. In 1906, when Disney was four, the family moved to a farm in Marceline, Missouri, where his uncle Robert had just purchased land. In Marceline, Disney developed his interest in drawing when he was paid to draw the horse of a retired neighborhood doctor. Elias was a subscriber to the Appeal to Reason newspaper, and Disney practiced drawing by copying the front-page cartoons of Ryan Walker. He also began to develop an ability to work with watercolors and crayons. He lived near the Atchison, Topeka and Santa Fe Railway line, and became enamored with trains. In late 1909, Disney and Ruth started school at the same time at the Park School in Marceline. The Disney family were active members of a Congregational church. Disney later described his childhood in Marceline as one of the happiest and most formative periods of his life, and drew inspiration from the town for several of his future projects.

In 1911, the Disneys moved to Kansas City, Missouri. There, Disney attended the Benton Grammar School, where he met fellow-student Walter Pfeiffer, who came from a family of theatre fans and introduced him to the world of vaudeville and motion pictures. Before long, Disney was spending more time at the Pfeiffers' house than at home. Elias had purchased a newspaper delivery route for The Kansas City Star and Kansas City Times. Disney and Roy woke up at 4:30 every morning to deliver the Times before school, and repeated the round for the evening Star after school. The schedule was exhausting, and Disney often received poor grades after falling asleep in class, but he continued his paper route for more than six years. He attended Saturday courses at the Kansas City Art Institute and also took a correspondence course in cartooning.

In 1917, Elias bought stock in a Chicago jelly producer, the O-Zell Company, and moved back to Chicago with his family. Disney enrolled at McKinley High School and became the cartoonist of the school newspaper, drawing patriotic pictures about World War I; he also took night courses at the Chicago Academy of Fine Arts.

In mid-1918, Disney attempted to join the United States Army to fight the Germans, but he was rejected as too young. After forging the date of birth on his birth certificate, he joined the Red Cross in September 1918 as an ambulance driver. Disney was shipped to France but arrived in November, after the armistice. He drew cartoons on the side of his ambulance for decoration and had some of his work published in the army newspaper Stars and Stripes.

He returned to Kansas City in October 1919, where he worked as an apprentice artist at the Pesmen-Rubin Commercial Art Studio, where he drew commercial illustrations for advertising, theater programs and catalogs, and befriended fellow artist Ub Iwerks. In January 1920, as Pesmen-Rubin's revenue declined after Christmas, Disney, aged 18, and Iwerks were laid off.

They started their own business, the short-lived Iwerks-Disney Commercial Artists. Failing to attract many customers, Disney and Iwerks agreed that Disney should leave temporarily to earn money at the Kansas City Film Ad Company, run by A. V. Cauger; the following month Iwerks, who was not able to run their business alone, also joined. The company produced commercials using the cutout animation technique. Disney became interested in animation, although he preferred drawn cartoons such as Mutt and Jeff and Max Fleischer's Out of the Inkwell. With the assistance of a borrowed book on animation and a camera, he began experimenting at home. He came to the conclusion that cel animation was more promising than the cutout method. Unable to persuade Cauger to try cel animation at the company, Disney opened a new business with a co-worker from the Film Ad Co, Fred Harman. Their main client was the local Newman Theater, and the short cartoons they produced were sold as "Newman's Laugh-O-Grams". Disney studied Paul Terry's Aesop's Fables as a model, and the first six "Laugh-O-Grams" were modernized fairy tales.

In May 1921, the success of the "Laugh-O-Grams" led to the establishment of Laugh-O-Gram Studio, for which he hired more animators, including Fred Harman's brother Hugh, Rudolf Ising and Iwerks. The Laugh-O-Grams cartoons did not provide enough income to keep the company solvent, so Disney started production of Alice's Wonderland‍—‌based on Alice's Adventures in Wonderland‍—‌which combined live action with animation; he cast Virginia Davis in the title role. The result, a 12½-minute, one-reel film, was completed too late to save Laugh-O-Gram Studio, which went into bankruptcy in 1923.

Disney moved to Hollywood in July 1923 at 21 years old. Although New York was the center of the cartoon industry, he was attracted to Los Angeles because his brother Roy was convalescing from tuberculosis there, and he hoped to become a live-action film director. Disney's efforts to sell Alice's Wonderland were in vain until he heard from New York film distributor Margaret J. Winkler's Winkler Pictures, whose services was recommended by her former employer, Harry Warner, then president of Warner Bros. Pictures, in response to a letter by Disney. She was losing the rights to both the Out of the Inkwell and Felix the Cat cartoons, and needed a new series. In October, they signed a contract for six Alice comedies, with an option for two further series of six episodes each. Disney and his brother Roy formed the Disney Brothers Studio‍—‌which later became the Walt Disney Company‍—‌to produce the films; they persuaded Davis and her family to relocate to Hollywood to continue production, with Davis on contract at $100 a month. In July 1924, Disney also hired Iwerks, persuading him to relocate to Hollywood from Kansas City. In 1926, the first official Walt Disney Studio was established at 2725 Hyperion Avenue; the building was demolished in 1940.

By 1926, Winkler's role in the production and distribution of the Alice series had been handed over to her husband, the film producer Charles Mintz, and her brother George Winkler; Winkler had dropped their distribution services at this point, finding distributors in FBO and Universal Pictures. The series ran until July 1927, by which time Disney had begun to tire of it and wanted to move away from the mixed format to all animation. After Mintz requested new material to distribute through Universal Pictures, Disney and Iwerks created Oswald the Lucky Rabbit, a character Disney wanted to be "peppy, alert, saucy and venturesome, keeping him also neat and trim". The series was a critical and commercial success for Winkler and Disney, effectively positioning them as a major force in American animation.

Disney had been a heavy smoker since World War I. He did not use cigarettes with filters and had smoked a pipe as a young man. In early November 1966, he was diagnosed with lung cancer and was treated with cobalt therapy. Believing the treatment to have been successful, he returned to work. However, on November 30 he felt unwell and was taken by ambulance from his home to St. Joseph Hospital where, on December 15, at age 65, he died of circulatory collapse caused by the cancer. His remains were cremated two days later and his ashes were interred at the Forest Lawn Memorial Park in Glendale, California.

The release of The Jungle Book and The Happiest Millionaire in 1967 raised the total number of feature films that Disney had been involved in to 81. When Winnie the Pooh and the Blustery Day was released in 1968, it earned Disney an Academy Award in the Short Subject (Cartoon) category, awarded posthumously. After Disney's death, his studios continued to produce live-action films prolifically while the quality of their animated films was allowed to languish. In the late 1980s, this trend was reversed in what The New York Times describes as the "Disney Renaissance" that began with The Little Mermaid (1989). Disney's studios continue to produce successful film, television and stage entertainment.

Disney's plans for the futuristic city of EPCOT did not come to fruition. After Disney's death, his brother Roy deferred his retirement to take full control of the Disney companies. He changed the focus of the project from a town to an attraction. At the inauguration in 1971, Roy dedicated Walt Disney World to his brother. Walt Disney World expanded with the opening of Epcot Center in 1982; Walt Disney's vision of a functional city was replaced by a park more akin to a permanent world's fair. In 2009, the Walt Disney Family Museum, designed by Disney's daughter Diane and her son Walter E. D. Miller, opened in the Presidio of San Francisco. Thousands of artifacts from Disney's life and career are on display, including numerous awards that he received. In 2014, the Disney theme parks around the world hosted approximately 134 million visitors.

Early in 1925, Disney hired an ink artist, Lillian Bounds. They married in July of that year, at her brother's house in her home town of Lewiston, Idaho. The marriage was generally happy, according to Lillian, although according to Disney's biographer Neal Gabler she did not "accept Walt's decisions meekly or his status unquestionably, and she admitted that he was always telling people 'how henpecked he is'." Lillian had little interest in films or the Hollywood social scene and she was, in the words of the historian Steven Watts, "content with household management and providing support for her husband". Their marriage produced two daughters, Diane (born December 1933) and Sharon (adopted in December 1936, born six weeks previously). Within the family, neither Disney nor his wife hid the fact Sharon had been adopted, although they became annoyed if people outside the family raised the point. The Disneys were careful to keep their daughters out of the public eye as much as possible, particularly in the light of the Lindbergh kidnapping; Disney took steps to ensure his daughters were not photographed by the press.

In 1949, Disney and his family moved to a new home in the Holmby Hills district of Los Angeles. With the help of his friends Ward and Betty Kimball, who already had their own backyard railroad, Disney developed blueprints and immediately set to work on creating a miniature live steam railroad for his back yard. The name of the railroad, Carolwood Pacific Railroad, came from his home's location on Carolwood Drive. The miniature working steam locomotive was built by Disney Studios engineer Roger E. Broggie, and Disney named it Lilly Belle after his wife; after three years Disney ordered it into storage due to a series of accidents involving his guests.

Views of Disney and his work have changed over the decades, and there have been polarized opinions. Mark Langer, in the American Dictionary of National Biography, writes that "Earlier evaluations of Disney hailed him as a patriot, folk artist, and popularizer of culture. More recently, Disney has been regarded as a paradigm of American imperialism and intolerance, as well as a debaser of culture." Steven Watts wrote that some denounce Disney "as a cynical manipulator of cultural and commercial formulas", while PBS records that critics have censured his work because of its "smooth façade of sentimentality and stubborn optimism, its feel-good re-write of American history".

Watts argues that many of Disney's post-World War II films "legislated a kind of cultural Marshall Plan. They nourished a genial cultural imperialism that magically overran the rest of the globe with the values, expectations, and goods of a prosperous middle-class United States." Film historian Jay P. Telotte acknowledges that many see Disney's studio as an "agent of manipulation and repression", although he observes that it has "labored throughout its history to link its name with notions of fun, family, and fantasy". John Tomlinson, in his study Cultural Imperialism, examines the work of Ariel Dorfman and Armand Mattelart, whose 1971 book Para leer al Pato Donald (transl. How to Read Donald Duck) identifies that there are "imperialist ... values 'concealed' behind the innocent, wholesome façade of the world of Walt Disney"; this, they argue, is a powerful tool as "it presents itself as harmless fun for consumption by children." Tomlinson views their argument as flawed, as "they simply assume that reading American comics, seeing adverts, watching pictures of the affluent ... ['Yankee'] lifestyle has a direct pedagogic effect".

Disney has been portrayed numerous times in fictional works. H. G. Wells references Disney in his 1938 novel The Holy Terror, in which World Dictator Rud fears that Donald Duck is meant to lampoon the dictator. Disney was portrayed by Len Cariou in the 1995 made-for-TV film A Dream Is a Wish Your Heart Makes: The Annette Funicello Story, and by Tom Hanks in the 2013 film Saving Mr. Banks. In 2001, American German-language author Peter Stephan Jungk published Der König von Amerika (trans: The King of America), a fictional work of Disney's later years that re-imagines him as a power-hungry racist. The composer Philip Glass later adapted the book into the opera The Perfect American (2013).

Several commentators have described Disney as a cultural icon. On Disney's death, journalism professor Ralph S. Izard comments that the values in Disney's films are those "considered valuable in American Christian society", which include "individualism, decency, ... love for our fellow man, fair play and toleration". Disney's obituary in The Times calls the films "wholesome, warm-hearted and entertaining ... of incomparable artistry and of touching beauty". Journalist Bosley Crowther argues that Disney's "achievement as a creator of entertainment for an almost unlimited public and as a highly ingenious merchandiser of his wares can rightly be compared to the most successful industrialists in history." Correspondent Alistair Cooke calls Disney a "folk-hero ... the Pied Piper of Hollywood", while Gabler considers Disney "reshaped the culture and the American consciousness". In the American Dictionary of National Biography, Langer writes:

Disney remains the central figure in the history of animation. Through technological innovations and alliances with governments and corporations, he transformed a minor studio in a marginal form of communication into a multinational leisure industry giant. Despite his critics, his vision of a modern, corporate utopia as an extension of traditional American values has possibly gained greater currency in the years after his death.

Disney received 59 Academy Award nominations, including 22 awards: both totals are records. He was nominated for three Golden Globe Awards, but did not win, but he was presented with two Special Achievement Awards‍—‌for Bambi (1942) and The Living Desert (1953)‍—‌and the Cecil B. DeMille Award. He also received four Emmy Award nominations, winning once, for Best Producer for the Disneyland television series. Several of his films are included in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant": Steamboat Willie, The Three Little Pigs, Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Bambi, Dumbo and Mary Poppins. In 1998, the American Film Institute published a list of the 100 greatest American films, according to industry experts; the list included Snow White and the Seven Dwarfs (at number 49), and Fantasia (at 58).

In February 1960, Disney was inducted to the Hollywood Walk of Fame with two stars, one for motion pictures and the other for his television work; Mickey Mouse was given his own star for motion pictures in 1978, and Disneyland received one in 2005. Disney was also inducted into the Television Hall of Fame in 1986, the California Hall of Fame in December 2006, was the inaugural recipient of a star on the Anaheim walk of stars in 2014, and was a member of the first Orange County Hall of Fame class in 2023.

The Walt Disney Family Museum records that he "along with members of his staff, received more than 950 honors and citations from throughout the world". He was made a Chevalier in the French Légion d'honneur in 1935, and in 1952 he was awarded the country's highest artistic decoration, the Officer d'Academie. Other national awards include Thailand's Order of the Crown (1960); Germany's Order of Merit (1956), Brazil's Order of the Southern Cross (1941), and Mexico's Order of the Aztec Eagle (1943). In the United States, he received the Presidential Medal of Freedom on September 14, 1964, and on May 24, 1968, he was posthumously awarded the Congressional Gold Medal. He received the Showman of the World Award from the National Association of Theatre Owners, and in 1955, the National Audubon Society awarded Disney its highest honor, the Audubon Medal, for promoting the "appreciation and understanding of nature" through his True-Life Adventures nature films. A minor planet discovered in 1980 by astronomer Lyudmila Karachkina, was named 4017 Disneya, and he was also awarded honorary degrees from Harvard, Yale, the University of Southern California and the University of California, Los Angeles.